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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Nonfiction Classics for Students (NCfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN NCfS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Americas, v. 47, November-December, 1995. ©1995 Américas. Reprinted by permission of Américas, a bimonthly magazine published by the General Secretariat of the Organization of American States in English and Spanish.—A Review of International English Literature, v. 20, July, 1989 for ‘‘But We Argued About Novel-Writing: Virginia Woolf, E. M. Forster and the Art of Fiction,’’ by Ann Henley. Copyright ©1989 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.— Commentary, v. 90, November, 1990 for ‘‘Depression- as-Disease,’’ by Carol Iannone./ v. 107, January, 1999 for ‘‘First in Flight,’’ by Sam Tanenhaus. Copyright ©1990, 1999 by the American Jewish Committee. All rights reserved. Both reproduced by permission of the publisher and the author.—Dissent, Fall, 1995 for ‘‘Rachel Carson’s Silent Spring’’ by Yaakov Garb. ©1995, by Dissent Publishing Corporation. Reprinted by permission of the publisher and the author.—First Things, n. 75, August- September, 1997. Reproduced by permission.— Journal of American Folklore, v. 104, Summer, 1991 for ‘‘The Failure of Folklore in Richard Wright’s Black Boy,’’ by Jay Mechling. Reproduced by permission of the American Folklore Society from Journal of American Folklore and the author.—Journal of Feminist Studies in Religion, v. 6, Spring, 1990. Reproduced by permission.— MELUS: Society for the Study of the Multi-Ethnic Literature of the United States, v. 22, Summer, 1997. Copyright, MELUS: The Society for the Study of Multi-Ethnic Literature of the United States, 1997. Reproduced by permission.—The Nation (New York), v. 250, June 25, 1990; v. 265, November 3, 1997. ©1990, 1997 The Nation magazine/The Nation Company, Inc. Both reproduced by permission.— National Review, v. l, October 26, 1998. Copyright ©1988 by National Review, Inc, 215 Lexington Avenue. New York, NY 10016. Reproduced by permission.—The New Republic, v. 221, November 1, 1999. ©1999 The New Republic, Inc. Reproduced by permission of The New Republic.—North Dakota Quarterly, v. 56, Summer, 1988. Copyright 1988 by The University of North Dakota. Reproduced by permission.—South Atlantic Quarterly, v. 82, Spring, 1983. Copyright ©1983 by Duke University Press. Reproduced by permission.—Style, v. 27, Summer, 1993 for ‘‘Richard Wrights and the African-American Autobiography Tradition’’ by William L. Andrews. Copyright ©Style, 1993. All rights reserved. Reproduced by permission of the publisher and the author.—Technology and Culture, v. 30, October, 1989. ©The Johns Hopkins University Press. Reproduced by permission.— Tulane Studies in English, v. 22, 1977. Copyright ©1977 by Tulane University. Reproduced by permission.— Washington Monthly, v. 22, May, 1990. Reproduced with permission from The Washington Monthly. Copyright by the Washington Monthly Company, 1611 Connecticut Ave., N.W., Washington, D.C. 20009 (202) 4462–0128.—The Women’s Review of Books, v. xiii, November, 1995 for ‘‘In the House of Spirits’’ by Ruth Behar. Copyright ©1995. All rights reserved. Reproduced by permission of the author.

COPYRIGHTED MATERIAL IN NCfS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Colmer, John. From E.M. Forster: The Personal Voice. Routledge & Kegan Paul. ©John Colmer 1975. Reproduced by permission.— Horowitz, Howard. From New Essays on The Education of Henry Adams. Edited by John Carlos Rowe. Cambridge University Press, 1996. ©Cambridge University Press 1996. Reproduced with permission of Cambridge University Press and the author.—Thompson, Kenneth W. From Toynbee’s Philosophy of World History and Politics. Louisiana State University Press, 1985. Copyright ©1985 by Louisiana State University Press. All rights reserved. Reproduced by permission of Louisiana State University Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCfS, VOLUME 1, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Adams, Henry, illustration by P. Ruller.— Allende, Isabel, photograph. Archive Photos. Reproduced by permission.—Allende, Salvador, photograph. UPI/Bettmann. Reproduced by permission.— Austen, Jane, engravings. Source unknown.—Bail, Horace, sitting on porch of former slave shack, photograph. Corbis. Reproduced by permission.— Berg, A. Scott, photograph. Aloma. Reproduced by permission.—Bohr, Niels, photograph. The Library of Congress.—Carson, Rachel L., photograph. UPI/Bettmann Newsphotos. Reproduced by permission.—‘‘Colored Drinking Fountain,’’ photograph. The Library of Congress.—Corliss Engine, illustration. The Library of Congress.—Cover of ‘‘Le Petit Journal,’’ photograph by Leonard de Selva. Corbis. Reproduced by permission.— Depressed women, sitting in window, photograph. ©1992 Science Photo Lib. Custom Medical Stock Photo. Reproduced by permission.—Dillard, Annie, photograph. Jerry Bauer. Reproduced by permission.— DuBois, W.E.B., photograph. The Bettmann Archive. Reproduced by permission.—Forster, E. M., photograph. Archive Photos, Inc. Reproduced by permission.—Goldstein, Gee, with her son Robert, photograph. Bettmann/Corbis. Reproduced by permission.—Guy, George H., 1961, Mississippi, photograph. AP/Wide World Photos, Inc. Reproduced by permission.—Hardy, Thomas, photograph. Archive Photos, Inc. Reproduced by permission.— Interior of the British Museum of Egyptian antiquities, photograph by Peter Aprahamian. Corbis. Reproduced by permission.—Kincaid, Jamaica, photograph by Adam Riesner. The Liaison Agency Network. Reproduced by permission.—La Mondeda/ Plaza dl. Libertad, photograph Susan D. Rock. Reproduced by permission.—Levi, Primo, photograph by Jerry Bauer. ©Jerry Bauer. Reproduced by permission.—Lindbergh, Anne Morrow, holding her baby Charles Jr., photograph. ©Bettmann/ Corbis. Reproduced by permission.—Lindbergh, Charles, photograph. The Library of Congress.— Lippman, Walter, photograph. Archive Photos, Inc. Reproduced by permission.—MacDonald, Dr. Jeffrey, being interviewed after being released from prison, photograph. ©Bettmann/Corbis. Reproduced by permission.—Malcolm, Janet. ©Jerry Bauer. Reproduced by permission.—McCourt, Frank, photograph by Jerry Bauer. ©Jerry Bauer. Reproduced by permission.—McGinniss, Joe, photograph. AP/ Wide World Photos. Reproduced by permission.— Merton, Thomas, photograph. The Library of Congress.— Mushroom cloud rising from Baker Day atomic bomb blast at Bikini Island, photograph. Corbis. Reproduced by permission.—Rastafarian man standing behind banner, photograph by Daniel Laine. Corbis. Reproduced by permission.— Rhodes, Richard, standing in front of the Atom Bomb Dome, photograph. Reproduced by permission.— Scene from the film ‘‘Angela’s Ashes,’’ photograph. The Kobal Collection. Reproduced by permission.—Scopes Trial, photograph. UPI/Corbis- Bettmann. Reproduced by permission.—St. PatA rick’s Roman Catholic Cathedral, photograph by Michael St. Maur Sheil. Corbis. Reproduced by permission.—Street scene, with volcano in the distance, Antigua, Guatemala, photograph by David Johnson. Reproduced by permission.—Styron, William, New York City, 1990, photograph. AP/Wide World Photos. Reproduced by permission.—Three white-tailed does, eating from shrubs in the Appalachian Trail, Shenandoah National Park, photograph by Raymond Gehman. Corbis. Reproduced by permission.— Thucydides, illustration. The Library of Congress.—Toynbee, Arnold J., photograph. Hulton- Deutsche Collection/Corbis. Reproduced by permission.— Washington, Booker T, photograph.— Worker in protective photograph by Ed Young. Corbis. Reproduced by permission.—Wright, Richard, photograph. AP/Wide World Photos, Inc. Reproduced by permission.

1. The Souls of Black Folk: Introduction
2. W. E. B. Du Bois Biography
3. Summary
4. Summary and Analysis
5. Quizzes
6. Characters
7. Themes
8. Style
9. Historical Context
10. Critical Overview
11. Essays and Criticism
12. Suggested Essay Topics
13. Sample Essay Outlines
14. Compare and Contrast
15. Topics for Further Study
16. Media Adaptations
17. What Do I Read Next?
18. Bibliography and Further Reading
19. Copyright

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