The Tempest (Vol. 72) | Copyright Page
ISSN 0883-9123
Volume 72
Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations
Michael L. LaBlanc
Project Editor
Project Editor
Michael L. LaBlanc
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Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Julie Keppen, Jelena O. Krstovi, Michelle Lee, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker
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Shakespearean Criticism, Vol. 72
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ISBN 0-7876-6001-9
ISSN 0883-9123
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN SC, VOLUME 72, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Imago, v. 30, Fall, 1973. Reproduced by permission.—Christianity & Literature, v. 50, Autumn, 2000. Reproduced by permission.—Dalhousie Review, v. 54, Summer, 1974. Reproduced by permission.—ELH, v. 40, Spring, 1973; v. 45, Spring, 1978; v. 54, Autumn, 1987. Reproduced by permission.—English Literary Renaissance, v. 10, 1980. Reproduced by permission.—English Studies in Canada, v. 7, Spring, 1981. Reproduced by permission.—Hudson Review,
COPYRIGHTED MATERIAL IN SC, VOLUME 72, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Abrams, Richard H. From “Leontes’s Enemy: Madness in The Winter’s Tale,” in Aspects of Fantasy. Edited by William Coyle. Greenwood Press, 1986. Copyright © 1986 by The Thomas Burnett Swann Fund. All rights reserved. Reproduced by permission.—Auden, W. H. From “The Tempest,”in Lectures on Shakespeare. Edited by Arthur Kirsch. Princeton University Press, 2000. Copyright © 2000 by The Estate of W. H. Auden. All rights reserved. Reproduced by permission of Curtis Brown Ltd.—Brockbank, Philip. From “The Tempest: Conventions of Art and Empire,” in Later Shakespeare. Edward Arnold (Publishers) Ltd, 1966. Copyright © 1966 by Edward Arnold (Publishers) Ltd. All rights reserved. Reproduced by permission.—Felperin, Howard. From “Plays within Plays: Othello, King Lear, Antony and Cleopatra,” in Shakespearean Representation: Mimesis and Modernity in Elizabethan Tragedy. Princeton University Press, 1977. Copyright © 1977 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Goldman, Michael. From “The Worst of King Lear,”in Shakespeare and the Energies of Drama. Princeton University Press, 1972. Copyright © 1972 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Healy, Thomas. From “History and Judgement in Henry VIII,”in Shakespeare’s Late Plays: New Readings. Edited by Jennifer Richards and James Knowles. Edinburgh University Press, 1999. Copyright © 1999 by Edinburgh University Press. All rights reserved. Reproduced by permission of the author.—Hoeniger, F. D. From “The Artist Exploring the Primitive: King Lear,”in Some Facets of “King Lear©: Essays in Prismatic Criticism. Edited by Rosalie
L. Colie and F. T. Flahiff. University of Toronto Press, 1974. Copyright © 1974 by University of Toronto Press. All rights reserved. Reproduced by permission of the publisher.—Levin, Richard. From “King Lear Defamiliarized,” in “Lear” from
ix
Study to Stage: Essay in Criticism. Edited by James Ogden and Arthur H. Scouten. Associated University Presses, 1997. Copyright © 1997 by Associated University Presses. All rights reserved. Reproduced by permission.—McMullan, Gordon. From the Introduction to King Henry VIII (All Is True), by William Shakespeare and John Fletcher. Edited by Gordon McMullan. Arden Shakespeare, 2000. Copyright © 2000 by Gordon McMullan. All rights reserved. Reproduced by permission.—McMullan, Gordon. From “’Thou Has Made Me Now a Man’: Reforming Man(ner)liness in Henry VIII,” in Shakespeare’s Late Plays: New Readings. Edited by Jennifer Richards and James Knowles. Edinburgh University Press, 1999. Copyright © 1999 by Edinburgh University Press. All rights reserved. Reproduced by permission.—Muir, Kenneth. From “Othello,”in Shakespeare’s Tragic Sequence. Barnes & Noble, 1979. Copyright © 1979 by Kenneth Muir. All rights reserved. Reproduced by permission.—Platt, Peter G. From “Wonder Personified, Wonder Anatomized: The Tempest,”in Reason Diminished: Shakespeare and the Marvelous. University of Nebraska Press, 1997. Copyright © 1997 by University of Nebraska Press. All rights reserved. Reproduced by permission.—Suchet, David. From “Iago in Othello,”in Players of Shakespeare 2. Edited by Russell Jackson and Robert Smallwood. Cambridge University Press, 1988. Copyright © 1988 by Cambridge University Press. All rights reserved. Reproduced by permission.
PHOTOGRAPHS APPEARING IN SC, VOLUME 72, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Engraving of King Lear and Cordelia, after a painting by M. Stone, in a scene from William Shakespeare’s King Lear, photograph. Hulton/Archive. Reproduced by permission.—Engraving of Henry VIII and Anne Boleyn by Johann Leonard Raab, after a painting by August Friedrich Pecht, of a scene from William Shakespeare’s Henry VIII, from Gallery of Shakespeare Illustrations from Celebrated Works of Art. AP/Wide World Photos. Reproduced by permission.—Engraving from Act I, scene ii of William Shakespeare’s The Winter’s Tale. Special Collections Library, University of Michigan. Reproduced by permission.—Gielgud, John, as King Lear in a scene from a 1940 theatrical production of William Shakespeare’s King Lear, photograph. Hulton/Archive. Reproduced by permission—Gielgud, John, as Prospero in a scene from a theatrical production of William Shakespeare’s The Tempest, photograph. Hulton/Archive. Reproduced by permission.— Good, Jack, as Othello and Sharon Gurney as Desdemona in a scene from a 1970 theatrical production of William Shakespeare’s Othello, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Hopkins, Anthony, as King Lear and Bill Nighy as Edgar in a scene from a 1986 theatrical production of William Shakespeare’s King Lear, photograph. Hulton/Archive. Reproduced by permission —Horden, Michael as Caliban in a scene from a 1952 Stratfordupon-Avon theatrical production of William Shakespeare’s The Tempest, photograph. Hulton/Archive. Reproduced by permission.—Illustration by Arthur Rackham, Act I, scene ii, from William Shakespeare’s The Tempest. The Library of Congress. Reproduced by permission.—Illustration by Arthur Rackham, Act I, scene ii, from William Shakespeare’s The Tempest. The Library of Congress. Reproduced by permission.—Illustration from Act III, scene iii of William Shakespeare’s Othello.—Irving, Henry, as Cardinal Wolsey in a scene from a theatrical production of William Shakespeare’s Henry VIII, photograph. Hulton/Archive. Reproduced by permission.—Painting by John Gilbert of Act I, scene i of William Shakespeare’s Henry VIII.—Photograph of King Lear and Gloucester in a scene from a 1982 theatrical production of William Shakespeare’s King Lear. Hulton/Archive. Reproduced by permission.—Photogravure, after a painting by Frank C. Cowper, of Act III, scene i of a theatrical production of William Shakespeare’s Henry VII. The Library of Congress. Reproduced by permission.
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