Daughter of Fortune

Daughter of Fortune (Magill’s Literary Annual 1991-2005)

At a glance:

Allende begins her novel by observing that Eliza Sommers, her heroine, has “many memories, both real and illusory,” and that Eliza recalls her life with “an astrologer’s poetic vagueness.” As a result, Allende’s novel, ostensibly told from an omniscient point of view, is best seen as a memory which incorporates magic, poetic license, and illusion—all ingredients of the “magic realism” of South American writers. Eliza also has culinary talents, a trait she shares with the heroine of Mexican Laura Esquivel’s Como agua para chocolate (1990; Like Water for...

[The entire page is 1743 words long]

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